Cameras like the Henry Clay 5×7 Stereoscopic Camera to the left were featured in photo galleries all over the world. The earliest stereoscopic cameras were essentially just two regular cameras built close together and triggered with a single shutter release linkage. Stereoscopic cameras like this Henry Clay model from 1891 were very common in the late 19th century. In order to create a realistic stereoscopic image, two separate lenses with two separate shutters needed to be spaced apart approximately the same distance as two human eyes, and needed to be triggered simultaneously and with the same shutter timings so as not to have two images with differing exposures. Consisting of nothing more than a wooden frame and two prismatic lenses, building a stereoscope was easy, but creating the images to go in them was a bit more difficult.Įarly cameras of this time were very large and heavy, and had slow shutters and even slower film emulsions. Variations on the Holmes stereoscope became extremely popular in the late 19th and early 20th centuries as building them was very easy.
The Holmes Stereoscope was the most common type of stereo viewer in the late 19th and early 20th centuries.
#Stereogram camera portable#
Stereoscopy would remain a popular field of study throughout the 19th century as a variety of other inventors such as David Brewster and Oliver Wendell Holmes improved upon the concept first by placing the two images side by side instead of 180 degrees apart, and later making the technology more portable and easy to use. Wheatstone’s original scopes used hand drawings rather than photographic images, and had the pair of images opposed from each other facing towards twin 45 degree mirrors or prisms. The man most commonly cited as the inventor of stereoscopy is Sir Charles Wheatstone, who in 1832 invented a variety of “Wheatstone Stereoscopes”, some using reflecting mirrors, and others using prisms. Sir Charles Wheatstone is commonly considered to be the father of stereoscopy. The history of stereoscopic photography is almost as old as photography itself, dating back to the early 19th century as early photographers strove to recreate images that when viewed through a special stereoscope, would recreate depth perception in still images, similar to how our own eyes work. +1 for one of a kind uniqueness, no other camera is like it Still, this was a very cool and gorgeous camera worthy of sitting on any collector’s shelf, just don’t expect to shoot it very often. The tiny 12mm x 14mm exposures are only good enough for thumbnail quality images, and scanning them for use today is a chore. With the original film cutter and blank reels, making your own reels was easy, but as a camera, it is impractical to shoot today.
#Stereogram camera free#
With a clever exposure calculator and easy to use focus free operation, the camera can make up to 69 stereo pairs on a single 35mm roll of film. The View-Master Personal Stereo Camera was an innovative solution for people wanting to make their own View-Master stereo reels. Lens: Twin 25mm f/3.5 View-Master Anastigmats coated 3-elementsįocus: Fixed Focus, Depth of field at f/16 is 4 feet to Infinityįlash Mount: View-Master Flash Attachment Use of these cameras remained popular throughout the next several decades with blank slides staying in production until the early 1990s.įilm Type: 135 (35mm) (up to 69 stereoscopic pairs on a 36-exposure roll of film) A second View-Master camera was introduced in 1962 but production of that model ended shortly thereafter. The idea behind the View-Master Personal Stereo Camera was to be able to make your own images which could then be punched out and inserted into blank slides for viewing of your own stereoscopic images. The circular View-Master slides and their red viewers were popular among children throughout the second half of the 20th century and are still being produced today with pre-loaded images showing things such as cartoons or far away travel destinations. The View-Master Personal Stereo Camera shoots 14mm x 12mm stereoscopic images on regular 35mm film for use in View-Master slides, slide viewers, and projectors. This is a View-Master Personal Stereo Camera, made by Sawyer’s Inc., out of Portland, Oregon between the years of 19.
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